|Back to Our Future: How the 1980s Explain the World We Live in Now--Our Culture, Our Politics, Our Everything |
|David Sirota is a journalist, nationally syndicated weekly newspaper columnist, and radio host. His weekly column is based at The Denver Post, San Francisco Chronicle, Portland Oregonian and The Seattle Times and now appears in newspapers with a combined daily circulation of more than 1.6 million readers. He has contributed to The New York Times Magazine and The Nation and hosts the morning talk show on Denver's Clear Channel affiliate, KKZN-AM760. He is a senior editor at In These Times magazine and a Huffington Post contributor and appears periodically on CNN, The Colbert REport, MSNBC, and NPR. Sirota received a degree in journalism and political science from Northwestern University's Medill School of Journalism. He lives in Denver with his wife, Emily; his son Isaac; and his dog, Monty. Find his website at www.davidsirota.com.You can schedule Sirota to appear at your book club, civic organization or local bookstore at his website at www.davidsirota.com. |
Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past.
In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama).
Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism.